"A finer coating, which more closely resembles genuine patina, is, however. The Metallic Alloys: A Practical Guide for the Manufacture of All Kinds of by Alfred Krupp, Andreas Wildberger, William Theodore Brannt (1888) The soil in which ancient coins have been buried, depends the quality of. On the nature of the metal, but still more on the character of A Handbook of Greek and Roman Coins by Sir George Francis Hill (1899) " patina, in the points where water has run over them, a pale, chalky dulness, Metal-colouring and Bronzing by Arthur Horseman Hiorns (1907) To produce upon a statue a patina-like deposit, brush it over with a very. "Genuine patina, especially that observed on very antique statues, consists. The Metallic Alloys: A Practical Guide for the Manufacture of All Kinds of by William Theodore Brannt (1896) Lexicographical Neighbors of Patina patient selectionīelow you will find example usage of this term as found in modern and/or classical literature:ġ. a green film that forms on bronze : PATINAED Of a green colour, tinted with grey, like that of bronze patina. A green colour, tinted with grey, like that of bronze patina. The color or incrustation which age and wear give to (mainly metallic) objects especially, the green rust which covers works of art such as ancient bronzes, coins and medals. (originally) A paten, flat type of dish ¹Ģ. A dish or plate of metal or earthenware a patella.ġ. If this is the case, you may wish to consider the RAW (Matte) option.1. If your piece will be facing or kitty corner to a window and you will be in that room during the day, you may find the light entering the window may be visible in the artwork. One thing to note with the highly polished versions is that they can be highly reflective of the light that is in the room. The polished version is similar to a Plasma television screen with high contrast and deep rich blacks. If you are located outside of the USA, please contact us first for pieces larger than 40" on the shortest dimension, or larger than 60" on the longest dimension to see if shipping is available and for a quote on that freight cost.įor the Highly Polished option, we use a 100% recycled, brilliant white surface to reproduce every detail and achieve the maximum wow factor all while at the same time being as green as possible. The flush mount frame we feel is essential to safely mount, and support all edges of the Aluminum sheet. To finish the piece, the aluminum sheet is then flush mounted to an aluminum frame (usually black, although we also use silver for certain images) and delivered display-ready with hanging hardware attached. Unlike our highly polished option which can be highly reflective, the RAW finish offers a matte finish which is ideal for seeing the great detail and texture captured in my high resolution images all without the reflection. The ultra-hard surface is scratch-resistant, waterproof and can be cleaned easily with any commercial glass cleaner.įor the RAW (Matte) option, we use a 100% recycled, brilliant white surface to reproduce every detail and achieve the maximum wow factor all while at the same time being as green as possible. The result is a high definition type of appearance with colour saturation like no other. These images have unparalleled vibrance, detail, and luminescence forged by a unique process where the image is separated into dye pigments and 'baked' directly into a sheet of aluminum using intense heat and pressure. The gold standard for high end gallery-worthy presentation is dye-infused aluminum. If you are located outside of the USA, please contact us first for pieces larger than 40" on the shortest dimension, or larger than 60" on the longest dimension to see if shipping is available and for a quote on that freight cost. The artwork comes ready to hang with an anti-twist support system that is easy to install. This provides a bolder appearance on the wall and is ideal for grand pieces Our fine art canvas pieces use a 1.5" thick bar. For extra large pieces with a dimension over 40 inches, we use our museum mount stretcher bar which is 2.5" thick. The finished piece has a painterly-look with the texture of the canvas surface showing through Once printed, the surface is given a matte-UV laminant to help resist fading and for added protection. The canvas is then stretched over a reinforced wooden frame which helps prevent torsion. This process prints the image directly on to a tight weave, fine art brightwhite canvas to hold the detail of my high resolution images.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |